IMDb RATING
6.9/10
8.5K
YOUR RATING
An insight into the turbulent lives and loves of a gay clique based in Los Angeles.An insight into the turbulent lives and loves of a gay clique based in Los Angeles.An insight into the turbulent lives and loves of a gay clique based in Los Angeles.
- Awards
- 1 win & 1 nomination total
Christopher Wiehl
- J. Crew Guy
- (as Chris Wiehl)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Quick evaluation: this movie does reflect my experiences of the past 25 years. As a nearing-50 gay man, I can relate to nearly all the principal characters, both personally and as they relate to my friends and acquaintances. Yes, at various times in my life I've been the cute, promiscuous one; the lonely one; the gym bunny (no drugs, though); the (self-perceived) ugly one. . .all those have helped me to become a better, more self-actualized person. Seems there are too many self-loathing queens commenting negatively on this film here. . .maybe they can't see themselves in the characters, but if they were to be honest, they'd realize that they do indeed exist in one or more of these characters.
I enjoyed the film, laughed a little, cried a little. As I said, "been there, done that."
I enjoyed the film, laughed a little, cried a little. As I said, "been there, done that."
I enjoyed this film. A lot. Granted, it's not perfect - there is a lot of room for development and fine-tuning, but its a pleasant diversion - and one that would be a wonderful launchpad for many things, most feasibly a weekly one hour television drama series.
I also enjoyed seeing such normal people on screen. Normal people, doing the things that normal people do today: talking, laughing, crying, reminiscing.... Sure, writer-director Greg Berlanti remains within a defined zone in terms of his representation of homosexuality and homosexuals, but the group of men he explores are presented comfortably and confidently. They become our friends, because they are like people we know. We see ourselves in them. And we have to face the similarities between their stories and ours - and there are parallels for everyone, whethere hetero-, homo- or somewhere in between.
A minor quibble - I think that the score would have been so much stronger had at least one of the Carpenters' classics been an original. Maybe "We've Only Just Begun", since that is part what lies at the heart of this film.
Jaded film buffs will not like THE BROKEN HEARTS CLUB. But so what? I don't think its targeted at that market anyway. BHC is a reminder that homosexuals are more than just 'gay' - there are people behind the labels - behind any label - and the challenge is for all of us to find that grain of self which is at the core of each individual's existence.
I also enjoyed seeing such normal people on screen. Normal people, doing the things that normal people do today: talking, laughing, crying, reminiscing.... Sure, writer-director Greg Berlanti remains within a defined zone in terms of his representation of homosexuality and homosexuals, but the group of men he explores are presented comfortably and confidently. They become our friends, because they are like people we know. We see ourselves in them. And we have to face the similarities between their stories and ours - and there are parallels for everyone, whethere hetero-, homo- or somewhere in between.
A minor quibble - I think that the score would have been so much stronger had at least one of the Carpenters' classics been an original. Maybe "We've Only Just Begun", since that is part what lies at the heart of this film.
Jaded film buffs will not like THE BROKEN HEARTS CLUB. But so what? I don't think its targeted at that market anyway. BHC is a reminder that homosexuals are more than just 'gay' - there are people behind the labels - behind any label - and the challenge is for all of us to find that grain of self which is at the core of each individual's existence.
How un-promising does a gay male Sex In The City sound? This one took me quite by surprise. It's a frequently very funny romantic comedy, that only occasionally dips into cliche. Why America remade Queer As Folk when they already had this is beyond me. Is "Queer as folk" ever an expression over there? Anyway, this includes Frasier's Dad and Superman amongst its gay baseball team, so it's good in my book.
As a mature (61) gay man, I enjoyed the hell out of this film. At least there was a diversity of stereotypes. I guess it would be boring to show that most gays lead "regular" lives in all kinds of workplaces. The angst was, thankfully, less "Dawson's Creek" and more universal. The experienced straight actors helped it flow along nicely, a cut above the usual sloppy, Indie-style gay movie. The Lesbian subplot should have been expanded--or left out! I recommend this movie to all young lesbians and gays facing a still altogether ignorant homophobic society---but one that has improved since I was their age. Kudos to the people behind the camera too!
The day I was finally able to admit to myself that I was a gay man I rented this movie. That first viewing changed my life. It helped me envision a life a hoped was ahead of me. During my first year of being out I watched this movie so many times and still watch it about once a year.
The first time I saw it I thought it was one of the best movies I had ever seen. Time has dimmed my view of it but it still a must see for any newly out (newbie) gay man.
The script is well written. Some of the direction is a little off but it was a low budget film. It is also fun to see all these mainstream actors like Dean Cain, Timothy Olymphant and Andrew Keegan playing gay.
The first time I saw it I thought it was one of the best movies I had ever seen. Time has dimmed my view of it but it still a must see for any newly out (newbie) gay man.
The script is well written. Some of the direction is a little off but it was a low budget film. It is also fun to see all these mainstream actors like Dean Cain, Timothy Olymphant and Andrew Keegan playing gay.
Did you know
- TriviaWhen Timothy Olyphant and Andrew Keegan were filming their scene on the park swings, a group of teenage girls noticed Andrew and waited until the scene was over to ask him for his autograph. When Timothy offered his autograph, the girls declined as they didn't know who he was.
- GoofsIn the scene in the kitchen with Dennis and Kevin, Dennis reports that "My friend's relationship hit Defcon 5". Defcon 5 is the lowest status, not the highest.
- SoundtracksA Lot of Livin' To Do
Written by Charles Strouse and Lee Adams
Performed by Nina Storey
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Special Products
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Details
- Release date
- Country of origin
- Language
- Also known as
- Le club des coeurs brisés: Une comédie romantique
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $1,746,585
- Opening weekend US & Canada
- $109,694
- Oct 1, 2000
- Gross worldwide
- $2,019,121
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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