User reviews

The Fall Guy is a movie about making a movie. Aaron Taylor-Johnson plays an action star who's stuntman is played by Ryan Gosling... who has a real stuntman doing his stunts. The Fall Guy is filled with this type of third-degree meta-ness. I found it amusing.

The intro to the early screening called it a love letter to stuntmen. This is an accurate statement. Everyone who loves movies, action fans specifically, owe so much of their enjoyment to stuntmen. The movie showcases so many beautiful stunts. It truly is a celebration of that profession.

This is also heavily a love story. I normally don't go for that, but this one hit me in all the right ways. I felt all of the emotions they wanted me to feel.

I think most people will enjoy The Fall Guy. But the ones who will love it the most are people who are fascinated by the artistry of in-camera action, or fans of romantic comedies. Also, we need an Oscar for stunt work asap.

(1 viewing, early screening EMX 5/1/2024)

The Fall Guy starring Ryan Gosling and Emily Blunt is now streaming on Peacock. Based off the action tv show from the 80s starring Lee Majors and Heather Thomas, this action-packed comedy directed by David Leitch is a wonderful love letter to all stuntmen and stuntwomen in the industry.

This was a really fun movie to watch, and I wish I got to see it in theaters. The visual effects and stunt coordination were out of this world, Gosling and Blunt's performances were brilliant, and the writing of the film made this the perfect summer blockbuster. What they did more than anything else was give a voice to all the stuntmen and stuntwomen who are underappreciated and undervalued in the industry. We see this almost immediately when Colt (Gosling) suffers a near deadly injury and the next thing he knows, he has been easily replaced and is now working valet. This movie also sheds more light on something that we already knew a little bit about which is that being a stunt person is extremely dangerous. Because of this movie, whenever I see an action film moving forward, I am going to be paying closer attention to the action sequences to appreciate the stunt work.

The original theatrical version along with the extended directors cut are both streaming on Peacock. I recommend checking out the director's cut as it features bonus content.

In an era where blockbusters often demand homework, with their intricate universes and complex lore, "Barbie" emerges as a delightful outlier. Movies today, from the sprawling epics of "Dune" to the interconnected sagas of the MCU, seem to require a viewer's full dedication-and maybe even a notepad to keep up. This isn't to diminish their artistry, but it's clear that the pure joy of cinema, the sort of effortless fun Hollywood once peddled so well, has become a rare find. A film that welcomes you without prerequisites, "The Fall Guy," seeks to reignite that spark of unadulterated entertainment. It aims to dazzle with the sheer magnetism of its leads, thrust into a whirlwind of romance and adventure, harking back to the days when stunts were real and filmmaking was a team sport, offering a joyride that's as heartwarming as it is thrilling.

Hollywood's narrative-rich turn hasn't dulled the magic of star power, a fact "The Fall Guy" embraces wholeheartedly, reminiscent of a time when the charm of icons like Burt Reynolds was all the spectacle one needed. Ryan Gosling proves his mettle as a jack-of-all-trades, winning hearts even in the most casual settings, his performance in this film further cementing his versatile appeal.

"The Fall Guy" also champions the unsung heroes of cinema: the stunt performers. Through breathtaking feats and daredevil escapades, it pays homage to the risk-takers who've silently shaped cinematic history, although it's not without its critiques, especially in how it sidelines some of its stellar cast in the latter half.

Yet, beyond the adrenaline, there's a poignant commentary on the digital age's challenges to authenticity, making "The Fall Guy" a vibrant counterpoint to the prevailing trends of faceless, CGI-dominated blockbusters. It's a film that doesn't just want to entertain; it wants to remind us of the value of genuine connection, both on the screen and in the stunts that make us hold our breath. In doing so, it doesn't just invite audiences to have fun; it demands it, championing the kind of cinema that's been overshadowed by the gravitas of today's tentpoles.

It's a shame that this movie was a flop in the box office. FALL GUY is definitely not a very good movie, it's totally forgettable, it should be funnier and it feels kinda flat and naive. However, movies like this is a breath of fresh air nowadays. Why? Because FALL GUY wants to entertain you, not to lecture you neither to tell you how to behave and feel, like most of trash Holywood movies of these years. This is PURE ENTERTAINMENT like a movie of this genre suppose to be. Simultaneously, this is a love letter to action and comedy-romance movies of 00's time era. FALL GUY is so 00's it hurts. Of course there are references from other decades, like the 90's and the 80's but above all, this is 00's.

So, if you miss 00's movies, you know, kinda naive, fun, shallow and entertaining, you are gonna love this. Gosling/Blunt are a likeable couple, viewer roots for them, not the greatest chemistry of the world, great action scenes though, good pace, never boring. I laughed a few times but it was definitely not hilarious, still a fun ride and i enjoyed every second of it. Maybe it started a bit slow but it's getting better.

The Fall Guy acts as a homage to all the stuntmen and stuntwomen out there. This is a love letter to the stunt team, a film dedicated to showing the grittiness and the roughness of the industry and how the movie industry will fall apart without them. Not only that, this is also a film for anyone who loves films or filmmaking in general.

Just like how Barbie was meta for the toy industry, The Fall Guy is meta for the filmmaking industry. Plenty of subtle and hidden messages that were incorporated in the script. Ex: There was one scene that spontaneously mentioned on how the stunt team didn't get any recognition at the Oscars. There was even distinct mentions or references of Taylor Swift, Dune, Kill Bill and Miami Vice amongst many others. Plenty were about the movie industry that if you spotted those things, you would truly have a good time in the cinemas.

Marketed as an action rom-com, this film didn't fill its promise with the comedy. It's an element that's just lacking from beginning 'til the end. Of course, it wasn't empty, it had its moments but for a comedy film, it didn't achieve the bar it was supposed to. You might be smiling or left out a few chuckles, but they weren't anything that were just worth bursting out loud. Again, comedy is extremely subjective.

The Fall Guy did very well the first 30 minutes of the film. Everything you wanted it to be was conveyed really well. David Leitch opened the film about a film who's working for that film. It fully maximizes everything exciting regarding this subject. The main focus was about filmmaking and the stunt community. It shed light on these unsung heroes, showcasing their dedication and talent in bringing action-packed scenes to life. And damn, it is very good and entertaining.

When the second act came in, we started to lose a bit of interest in this movie. Mainly due to its shift of focus that it somehow turned into a murder mystery genre. First act was very good that it talked a lot on filmmaking, and almost every scene was located in a production set. The dialogues were also heavy on that. But the middle part focused more on the murder mystery and romance. While they still included a lot of the meta elements here but they turned its way into a more generic film when it could have been so much more.

Even most of the dialogues during the romance scenes were just not as good as the rest of the script. They just didn't maximize the stuff they were talking about. Some dialogues felt meaningless. Some were just flat out boring. Some have meanings but if only they could polish them, this movie would have been so much better.

Luckily, Ryan Gosling and Emily Blunt sparked a good chemistry on set. Even with a moment of no dialogues, just when they're looking at each other, you'll know well enough their chemistry is just electrifyingly good. There were moments they weren't physically together, but the film showed them on a split screen and etc. But the palpable connection between them remained strong.

The movie redeems itself at the third act. It's a very epic ending and you rarely see this kind of ending in an action rom-com movie. The action and the scope were big and the messages were all very on-point with the whole theme of the film. It's bombastic but it's lovely at the same time. It's less on fighting or punching, but more on the performing of stunts. 2-3 scenes felt and looked like they came straight out from old classic films. There's just a certain way that the ending was shot that it gave a homage to old action movies. It's indeed a sight to behold.

Verdict: A love letter to the unsung heroes, The Fall Guy pays homage to the stunt community, exploring their hardships behind the scenes through the lens of both a director and a stuntman. While it falls short on delivering promised comedy, its first act shines with interesting filmmaking commentary. Despite a weak second act, strong chemistry between Ryan Gosling and Emily Blunt along with an epic finale elevate the film, delivering a visually stunning tribute to classic cinema.

P. S: There's a mid-credit scene! Stay tuned!

A movie as we would say around here "pochoclera", action comedy (with a lot of action) and that at times is a romantic comedy.

It has many points in its favor, Ryan Gosling is in a state of grace lately although I keep thinking that what we see today is an evolution of the movie "Nice Guys" with Russell Crowe. I think in any case that today Ryan has been typecast in these roles, as happens in Barbie and that although he is useful today, perhaps in the future not so much.

Emily Blunt in a totally secondary role and with a romance with Gosling's character that borders on the cloying and not very credible at times.

The point is that this movie is an action nonsense that lasts more than 2 hours and that is appreciated as long as we close our minds to any other analysis.

The action scenes and how it is filmed are the best of this film, at times it rivals the best of John Wick in that sense.

The humor works no matter how crude and physical comedy it is.

It's basically an action movie from the 90's, it reminds us a lot of Arnold's "Last Action Hero" and that's appreciated.

In short, a good movie for a Saturday afternoon, it is not strictly necessary to go to the cinema to see it but it is very entertaining.

"The Fall Guy (2024) is a film that owes much of its watchability to the presence of Ryan Gosling, whose performance elevates an otherwise weak storyline. While Gosling's portrayal adds depth and charisma, the movie suffers from a disjointed plot that leaves viewers with unanswered questions and moments that feel unnecessary.

One of the film's shortcomings lies in its lack of clarity and connection to the central plot, leading to confusing scenes that detract from the overall narrative coherence. Emily Blunt, despite her talent, is constrained by underdeveloped scripting for her character, Jody, resulting in a relationship dynamic with Gosling's character, Colt, that lacks believability and depth. The imbalance in character development creates a sense of manipulation and blame within their relationship, which undermines the emotional connection the film tries to establish.

Nevertheless, The Fall Guy does have its bright spots, with humorous scenes, witty lines, and commendable performances from supporting actors Aaron Tyler-Johnson as Tom and Hannah Waddingham as Gail, who bring life to their villainous roles.

Ultimately, while Ryan Gosling's performance shines, The Fall Guy struggles to fully engage me as an audience due to its weak storyline and character dynamics.

Well, the movie delivers what it promises.

If you like ryan gossling humor, you will find this movie pretty good, as most of it is based on that.

The storyline is very basic, with a predictable ending.

Of course having a cast with top actors helps, and the pacing is ok.

It does't take itself seriously, and thats a good thing.

Overall a movie you have seen million of times, but its 2 hours and it feels like 1.

The Fall Guy is a loosely based remake of a 1980s tv show about a stuntman trying to solve the mysterious disappearance of the lead actor for his ex-girlfriend's film. The movie is being heavily marketed as an action comedy and it really isn't that. It's more of a romcom than action comedy. Ryan Gosling and Emily Blunt have fantastic chemistry but honesty Ryan Gosling has great chemistry with everyone in this movie. He really carries the movie with his goofy cute personality. The movie also serves as a major love letter to stuntmen as there is a lot of practical effects in the movie. It also got the world record with most car cannon rolls. Story isn't anything new but I was enwrapped the entire time watching. I think this is a good matinee date night movie to watch.

Pros:

• A love letter made to all the hard working stunt men and women who make movie magic and do not get enough recognition for their work behind the scenes.

• Action scenes that utilize stunt men and women on the movie set were well done and thrilling.

• Great chemistry between the lead stars Ryan Gosling and Emily Blunt.

Cons:

• Not all the jokes land and some FALL flat (not sure if this is what they were going for with a movie about stunt work.)

• The needle drops (aka music selections) are very much on the nose and used way too much throughout the movie.

• The many trailers for the film do give most of the movie away, including much from the final action sequence.

Action and romance with doses of duplicity and deciet combine to make this a broadly appealing and enjoyable romcom.

Film-making and the role of the stuntman are the backdrop of course.

The script is tight - the nerd in me delighted in noticing good use of foreshadowing. No apparently trivial moments go to waste, some passing comments or props reveal their true purpose later as in any well-scripted play or film. I won't be offering spoilers though.

The visuals are well worth it with the viewer also at times invited to figuratively sit next to the crew and catch a glimpse of how stunts are performed.

Enjoyable on many levels, not least of which being the polished performances of Ryan Gosling, Emily Blunt and supporting cast.

Essentially a romantic comedy but, traditional males, you won't be disappointed.

"**Stunt Life**" starring Ryan Gosling is an adrenaline-packed ride that delivers on entertainment, even if the plot is predictable. This movie will really make you appreciate stuntmen even more, Gosling shines as always, bringing charm and intensity to the role. The action sequences are thrilling, and the stunts are jaw-dropping, making up for the formulaic storyline. While the plot twists are obvious, the film's energy and Gosling's performance keep you hooked. It's a fun watch if you're in the mood for high-octane entertainment without too many surprises. Oscars should give awards to stuntmen.

"The Fall Guy" is a movie filled with action-packed stunts, displaying David Leitch's passion for movies and stunts. Being an ex-stuntman and body double himself, he has put his heart and soul into this film.

The movie revolves around Colt (Ryan Gosling), a skilled stuntman who suffers a severe injury on set. After a year of being away from the movie industry and his girlfriend Jody (Emily Blunt), who is the director of a new movie, Colt is approached by Gail (Hannah Waddingham), one of the producers of the movie, to help find Tom Ryder (Aaron Taylor-Johnson), the main actor of the movie, who has gone missing. Colt travels to Sydney to help find him and make a comeback to the movie scene.

I really enjoyed watching this movie. The stunts were flawlessly executed and the movie references and jokes blended in seamlessly, making them funny and natural. It's refreshing to see a comedy blockbuster that's both original and entretaining. The star-studded cast added to the overall freshness of the movie.

The Fall Guy is a remake of the 1981 TV series of the same name. This remake was made by David Leitch, director of Atomic Blonde, Deadpool 2 and Bullet Train.

Stuntman Colt Seavers (Ryan Gosling) does a lot of dangerous things as a stuntman on the film sets. After a serious accident, he has to take it easy for a while, but loses contact with the camerawoman Jody Moreno (Emily Blunt).

When he hears that Jody is now going to register his own film and use him as a stuntman, he decides to return to his profession as a stuntman. On the film set he learns that everything is different and Jody would rather not work with him. When star actor Tom Ryder (Aaron Taylor-Johnson) disappears, Colt is asked to find him, so that Jody gets too red in her first directorial job.

Before he started directing, director David Leitch was also a stuntman himself and has done stunts in many films himself or helped to convey the stunts well and appreciated. It seems that with this film he wants to make some kind of ode to stuntmen from the film world. This group helps convey tense, dangerous moments in films, where people are shot, blown up, or thrown through windows, for example. Stuntmen take so many risks just to make movies impact movie audiences.

Because they are also trying to make a film themselves in this film, you get to see many behind-the-scenes moments and what this can look like in films. This way you get to see how and when they use explosions in the film, for example, and how they use props and make-up to transfer the damage from these explosions to the film set and at the castles. They manage to reliably convey many action moments in this film.

This remake is now also about the more modern aspects of the stuntman profession, because nowadays they can do more with the help of computers in films and also at times when they use stuntmen. For example, with deep fake they can stick the actors over the bodies of the stuntmen, so that it really looks as if the actors are actually doing their stunts themselves. This makes action scenes seem more and more frequent, but the presence of the stuntmen is also somewhat lost. They continue to take more and more risks, but they can see themselves less and less in films in which they performed the stunts.

In addition to the action, they also manage to add comedy to this film. The comedy in the film itself works, but the meta comedy that the film adapts to other films and stunts works best, especially for film fans, who can recognize some of these moments.

Ryan Gosling comes across well as a stuntman who tries to prove himself again after even being out of the business. Justin Eaton deserves and this film also has a lot of respect, because he is the stunt double for Ryan Gosling. Emily Blunt also comes across well as a novice director trying to film her own passion film. Ryan Gosling and Emily Blunt also have good chemistry together and come across convincingly as two people who were in a relationship together, but are now more like exes. Even though one of them tries to bring more passion into their relationship, so that they can perhaps try the relationship again.

The Fall Guy proves itself a standout film, buzzing with the energy of its clever and catchy music selections: energetic rock and pop. The film's central focus lies in its brilliantly executed stunts, but what truly enhances visual storytelling are the personal interactions between the characters, notably Emily Blunt's, her film team's and Ryan Gosling's. It provides a steady stream of humor and romantic chemistry. Emily Blunt's performance is effortless, perfectly suiting her character's charisma. I also loved Ryan's interactions with a dog.

The cinematography may appear basic, but it's deliberately styled to emphasize long, medium, and handheld shots, creating a dynamic visual experience. These choices make the scenes feel alive and experimental-ish, especially with sequences that almost play out in one shot, circling the actors and enhancing engagement. The editing is commendable, particularly the use of split screens and mounted camera shots, which add to the film's innovative presentation.

The film is imbued with wit, humor, and thrilling stunt work, making it unforgettable. The practical and special effects shine, particularly in the action and fight scenes. The choreography of the chase and fight scenes is impressive, although I do think there could be a bit more (or less) glass particles in the film. The script is well-written, and it sets a strong foundation right from the beginning, which adds a lot to the overall entertainment value of the film, covering themes of trust, and deceiving one another.

Overall, The Fall Guy is a brilliantly entertaining film that balances wit, drama, and action with a fresh cinematic style, making it not just memorable but a commendable piece in modern Hollywood cinema.

The film immediately impresses with its star power, suggesting the potential for a major summer blockbuster. From the outset, the cast brings charisma and presence, drawing the audience in and promising an engaging cinematic experience. While the marketing seemed to lean heavily into high-octane action, the movie takes its time establishing the characters and their relationships, particularly between the two central leads.

The first hour of the film focuses more on character development than explosive sequences, allowing viewers to connect with the protagonists on a personal level. This slower pace provides depth, though it may feel at odds with the expectations set by the promotional material. The relationship between the leads is central to the narrative, blending elements of romance with moments of lighthearted humor that offer levity before the action ramps up.

As the story progresses, the film begins to deliver more thrilling set pieces. The middle portion introduces engaging action sequences that balance suspense and spectacle. These moments effectively showcase the abilities of the stunt-driven cast, while the choreography and pacing of the action feel deliberate and exciting. It's in these sequences that the film begins to align with its blockbuster ambitions.

The final act truly embraces the action-driven premise, culminating in a series of well-executed set pieces that deliver both excitement and narrative closure. While there are a few plot holes and moments where logic is stretched, the energy and commitment from the cast help maintain engagement. The action sequences feel polished and dynamic, showcasing a mix of practical stunts and well-integrated visual effects.

Though the screenplay is not without its flaws, the film's combination of action, romance, and comedy makes it an entertaining experience. The comedic elements are sprinkled throughout without feeling forced, and the love story to the stuntman adds an emotional anchor to the otherwise adrenaline-driven plot. The film's structure balances these components well, keeping audiences invested while still delivering on spectacle.

Overall, the movie succeeds as a fun, engaging watch that is worth experiencing on the big screen. It may not rank among the top ten films of the year, but it demonstrates a strong blend of star power, action, and charm. With well-executed sequences, a relatable central romance, and moments of humor, the film ultimately delivers a satisfying balance between heart and thrills, making it a solid addition to the summer blockbuster lineup.

The Fall Guy is a refreshing yet flawed tribute to the unsung heroes of cinema... the stunt performers. Directed with flair, the film offers a vibrant mix of action, comedy, and heartfelt moments that make it stand out from the usual blockbuster formula.

David Leitch's direction deserves genuine praise. The action sequences are thrilling, practical, and beautifully choreographed. Instead of relying on overdone CGI, the film highlights the raw intensity of real stunts. The cinematography captures the energy of each set piece with crisp visuals, while the soundtrack adds an extra punch and gives the film a stylish rhythm.

Performance wise, Ryan Gosling and Emily Blunt shine. Their chemistry is charming, playful, and adds emotional depth to the story. Hannah Waddingham also gives a solid performance, although the rest of the supporting cast felt underwhelming in comparison. Many might disagree but to me their presence wasn't strong enough to leave a lasting impact. Still, Gosling's dedication is undeniable and the behind the scenes footage at the end showing him performing his own stunts was jaw dropping.

What makes this film unique is its core theme. A mainstream Hollywood movie centering stuntmen is rare and The Fall Guy does justice to their craft. The heartfelt song dedicated to stunt performers reinforces the film's respect for their contribution and it feels genuinely moving.

On the downside, despite all its strengths, the film didn't click with the wider audience and underperformed at the box office. Yet I strongly believe that in ten or twenty years it will find its place as a cult classic. Its unique subject matter, stylish execution, and emotional sincerity make it too special to be forgotten.

Fall Guy is not perfect but it is bold, heartfelt, and spectacularly shot. A love letter to stuntmen with Gosling and Blunt delivering memorable performances. For those who love cinema beyond the surface, this film is worth revisiting.

Good movie. Good action. Unfortunately it's not Emily blunts best movie. Her character sucks the movie dry. From her wardrobe to her dialogue. It makes every scene with her seem annoying. Normally, her movies are good. Her acting on this sucks. Ryan gosling was funny and the best part of the movie. The music was enjoyable and I loved the iconic truck. Also loved the six million dollar man music that played on the one scene. The end scene was worth sticking around for. Again unfortunately I feel that Emily blunts character made the movie seem not as good as it could have been. The movie has great action scenes. Minimum character met.

Merely referencing several films or making a few imitations doesn't mean that plot devices can be equated with homages. Nor does enriching commercial elements or mixing commercial genres mean that a film can be considered wonderful.

As a film set on a movie shooting site and telling the story of a stuntman, it could have explored depth through the dangers of stunts and the hardships of life, and created laughter through emotional allusions and the real - life aspects of filming. However, this film not only wastes time with a large number of worthless lines but also forcefully combines two types of narrative in completely different rhythms. Moreover, the rather clumsy editing fails to present some scenes with a more exciting audio - visual effect. Although extremely catchy golden oldies, action scenes, and a few jokes still guarantee the film's entertainment value to a certain extent, unfortunately, the help provided by this guarantee is quite limited.

The Fall Guy (2024), directed by David Leitch and starring Ryan Gosling and Emily Blunt, is a modern reimagining of the 1980s TV series about a Hollywood stuntman who moonlights as a bounty hunter. With its combination of high-octane action, humor, and a dash of nostalgia, the film is an entertaining ride, but not without its shortcomings.

Pros: Ryan Gosling's Charismatic Performance: Gosling brings his trademark charm to the role of Colt Seavers, blending humor with action-hero grit. His comedic timing, especially in the more absurd stunt sequences, is spot on, and his chemistry with co-star Emily Blunt adds a layer of warmth to the film.

David Leitch's Action Choreography: Known for his work on John Wick and Deadpool 2, Leitch excels in crafting visually dynamic action scenes. The stunts are explosive and well-executed, with a mix of practical effects and CGI that stays true to the spirit of the original show while updating it for a modern audience.

Nostalgic Appeal: Fans of the original series will appreciate the nods to the 1980s show, from the iconic theme song to some of the classic stunts that have been recreated with a modern twist. The film balances nostalgia with contemporary elements, making it appealing to both older fans and new viewers.

Cons: Thin Plot: While the film is packed with thrilling action sequences, the storyline feels somewhat underdeveloped. The plot revolves around Seavers being pulled back into the world of bounty hunting to find a missing actor, but it lacks depth and originality, serving mostly as a backdrop for the action.

Underused Supporting Cast: Despite a strong supporting cast, including Emily Blunt and Aaron Taylor-Johnson, their characters feel underutilized. Blunt, in particular, is given little to do beyond being the romantic interest and comedic foil to Gosling's Seavers. The movie could have benefited from more dynamic character development.

Pacing Issues: The film starts strong, with a good balance of humor and action, but the second act drags slightly. Some scenes feel stretched out, while others are rushed, leading to uneven pacing that occasionally disrupts the flow of the story.

Conclusion: The Fall Guy (2024) is an enjoyable action-comedy with standout performances from Ryan Gosling and fun, inventive stunt work. However, its thin plot and underdeveloped supporting characters prevent it from being a truly memorable film. For fans of the original series and those looking for an entertaining, action-packed movie, it's worth watching, but it might not leave a lasting impression. 7/10.

Pretty standard Hollywood fare, but a nice hat tip to stuntmen.

2 extra stars for being shot in Sydney and having Australian accents instead of pretending the world has American accents.

Made me think that best stunt should definitely be an Oscars category. I get that they don't want to break the silver screen illusion of reality, but those guys deserve some fame and recognition.

Actually much better than I thought it was gonna be based on the sort of lackluster box office and critical reception so far.

Are Ryan Gosling and Emily Blunt big enough stars to guarantee a slam dunk in theaters? Apparently not, and it never felt that way either. However, they bring a lot to the table and are the reasons this film is so enjoyable. Gosling continues his charismatic tear and Blunt provides the heart. The pair work well together on screen for sure.

A common complaint I saw was regarding the lack of Blunt and Gosling actually sharing scenes in the movie, but I have to say I disagree. They keep the two connected through creative uses of phone calls and messaging. For me, it felt satisfying enough.

The trailer actually uses alternate takes and kind of misleads you regarding the possible finer details of the story-which is fine, just unexpected. Aaron Taylor Johnson is a good example of this as the trailer doesn't reveal him as the Tom Ryder character very well, but I found him to be great. Between this and Bullet Train (2022), I think Johnson has a bright future for more comedic roles.

The action was also above my expectations at times. The boat scene paired with the song selection and emotional beats was the peak of the movie for me. Just all around good stuff.

The comedy actually worked, which is rare for me. I would say I audibly chuckled a handful of times-more so in the beginning than the second half for sure.

So yeah, I'm pleased and have run out of things to say now.

Watch for Ryan Gosling and Emily Blunt headling a good action/comedy. Simple.

WATCHED ON: AMC Theaters

HIGHER OR LOWER: higher, good time.